"Jonah.
Jonah’s message is full of ecological content and as such allusive of creation. In outing himself to the sailors, Jonah defines himself as a follower of the Creator God in a language that is reminiscent of creation and the Decalogue: “Yahveh, God of heaven, I worship/fear who made the sea and the dry land” (Jonah 1:9, my translation). One cannot help noticing the somewhat problematic but very
emphatic sentence structure in which the predicate (“worship/fear”) is inserted between the object (“Yahveh”) and its qualifying relative clause (“who made the sea and the dry land”). Jonah sees himself surrounded by Yahweh the God of creation, although ironically he is not quite sure if he should worship or fear Him.
Jonah’s message is full of ecological content and as such allusive of creation. In outing himself to the sailors, Jonah defines himself as a follower of the Creator God in a language that is reminiscent of creation and the Decalogue: “Yahveh, God of heaven, I worship/fear who made the sea and the dry land” (Jonah 1:9, my translation). One cannot help noticing the somewhat problematic but very
emphatic sentence structure in which the predicate (“worship/fear”) is inserted between the object (“Yahveh”) and its qualifying relative clause (“who made the sea and the dry land”). Jonah sees himself surrounded by Yahweh the God of creation, although ironically he is not quite sure if he should worship or fear Him.
The progressive descent to the depths of the ocean in Jonah’s psalm (Jonah 2:2-9) indicated by the verbal root dry, “to descend” (vs. 6), can be related to Genesis 1–3. According to the ancient Near Eastern and also to some extent Old Testament cosmologies, there is a spatial dimension of above and below, i.e., the Earth is resting on pillars in waters under which the realm of Sheol was to be found. All these elements appear in Jonah’s poem: He finds himself cast into the “heart of the sea” (Jonah 2:3/Gen. 1:10) and cast out of God’s presence (Jonah 2:5) as Adam and Eve were cast out of Eden (Gen. 3:24); he passes through the chaotic waters (Jonah 2:5/Gen. 1:2) and finally descends to Sheol (Jonah 2:2]) or the pit (Jonah 2:6). Jonah is sinking toward darkness and death, away from light and creation, a process that is equivalent to de-creation.
In the whole book, obedient creation is in juxtaposition to disobedient humanity, and the Creator is portrayed as continually being involved in His creation by throwing a storm at Jonah (Jonah 1:4), appointing a fish to his double rescue by letting it swallow the disobedient prophet (vs. 17) as well as vomiting him onto solid ground (2:10). He furthermore prepares a plant (4:6), a worm (vs. 7), and an east wind (vs. 8) in order to bring His despondent servant to his senses. Creation is not just an event of the past, but recurs through Yahweh’s permanent involvement in His creation and with His creatures. But foremost, all creation is geared toward Yahweh’s salvation acts toward humanity, and the question that concludes the Book of Jonah finds its answer in the book’s presence in the canon, reiterating Jonah’s belief in the supreme Creator-God as initially ironically stated in his confession to the heathen sailors (1:9)."
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